| For the blind man in the dark room looking for the black cat that isn´t there ICA London |
| For the blind man in the dark room looking for the black cat that
isn't there Contemporary Art Museum St. Louis |
| Rosalind Nashashibi ICA London |
| Nashashibi / Skaer: Our Magnolia doggerfisher, Edinburgh |
| The 2nd Athens Biennale Athens Biennale |
| SPACE REVISED #1. Friendly Takeovers Gesellschaft für Aktuelle Kunst, Bremen |
| DRAWING 2009 - Biennial Fundraiser The Drawing Room, London |
| Dark Fair Kölnischer Kunstverein |
| Rosalind Nashashibi: Bachelor Machines part 2 Projects in Art & Theory, Köln |
| Rosalind Nashashibi: Filmarbeiten Künstlerhaus Stuttgart |
| SLOW MOVEMENT ODER: Das Halbe und das Ganze Kunsthalle Bern |
| The Greenroom CCS Bard Hessel Museum, Annandale-on-Hudson |
| Try again. Fail again. Fail better Mücsarnok Kunsthalle Budapest |
| Summer Screen Spacex Gallery, Exeter |
| Manifesta 7 Trentino - Alto Adige 2008 International Foundation Manifesta, Amsterdam |
| Seven Types of Ambiguity Store Gallery, London |
| A LIFE OF THEIR OWN Lismore Castle Arts |
| 5. berlin biennale 2008 berlin biennale, Berlin |
| Decoder Contemporary Art Center, Vilnius |
| MACBA im Frankfurter Kunstverein Kunstverein Frankfurt |
| Pensee Sauvage Kunstverein Frankfurt |
| You have not been honest Museo MADRE Neapel |
| Pensee Sauvage Ursula Blickle Stiftung, Kraichtal |
| Alabama OFFICE BAROQUE GALLERY Antwerpen |
| Rosalind Nashashibi Chisenhale Gallery, London |
| About the possibility of a sculpture Galerie Reinhard Hauff, Stuttgart |
| May the Twelfth Store Gallery, London |
| The Square Root of Drawing Temple Bar Gallery, Dublin |
| Momentum 2006 Momentum - Nordic Festival of Contemporary Art, Moss |
| BRITISH ART SHOW 6 Arnolfini, Bristol |
| BRITISH ART SHOW 6 Spike Island, Bristol |
| BRITISH ART SHOW 6 Royal West of England Academy, Bristol |
| BRITISH ART SHOW 6 ROOM, Bristol |
| BRITISH ART SHOW 6 Bristol City Museum & Art Gallery |
| Around the World in Eighty Days ICA London |
| Around the World in Eighty Days South London Gallery |
| BRITISH ART SHOW 6 The Bonington Gallery, Nottingham |
| BRITISH ART SHOW 6 The Yard Gallery, Nottingham |
| BRITISH ART SHOW 6 Angel Row Gallery, Nottingham |
| It is hard to touch the real Grazer Kunstverein |
| BRITISH ART SHOW 6 Cornerhouse Manchester |
| BRITISH ART SHOW 6 Castlefield Gallery, Manchester |
| Traum und Trauma Haus der Kulturen, Berlin |
| In Between Times Tramway Glasgow |
| Rosalind Nashashibi: Eyeballing Carl Freedman Gallery, London |
| BRITISH ART SHOW 6 BALTIC Gateshead |
| A Certain Tendency in Representation THOMAS DANE GALLERY London |
| Rosalind Nashashibi: Hreash House Mücsarnok Kunsthalle Budapest |
| Pass the Time of Day Castlefield Gallery, Manchester |
| Pass the Time of Day Collective Gallery, Edinburgh |
| Pass the Time of Day Angel Row Gallery, Nottingham |
| Pass the Time of Day Gasworks Gallery, London |
| Sodium & Asphalt MARCO Monterrey |
| Expander Royal Academy of Arts, London |
| NAHER OSTEN NÄHER Schirn Kunsthalle, Frankfurt |
| Rosalind Nashashibi Kunsthalle Basel |
| Sodium and Asphalt Museo Tamayo, Mexico City |
| Yugoslav Biennial of Young Artists 2004 Biennale Vrsac |
| Rosalind Nashashibi Centre for Contemporary Art, Glasgow |
| BRITANNIA WORKS Xippas Gallery, Athen |
| BRITANNIA WORKS ILEANA TOUNTA Athen |
| BRITANNIA WORKS The Breeder, Athen |
| BRITANNIA WORKS British Council, Athen |
| It is hard to touch the real 2 Kunstverein München |
| BECK´S FUTURES 2003 Centre for Contemporary Art, Glasgow |
| Rosalind Nashashibi Centre for Contemporary Art, Glasgow |
| BECK´S FUTURES 2003 ICA London |
| Es ist schwer das Reale zu berühren Grazer Kunstverein |
