highlights specials idee kontakt impressum info

schnellsuche
terminsuche
termine
nächste 30 tage
biennalen
festivals
messen
künstler / kuratoren
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
kunststätten
alle länder
deutschland
Österreich
schweiz
akademien
biennalen
festivals
galerien
institutionen
kunstvereine
messen
museen+hallen
projekte
google


© kunstaspekte
internationale kunstinformationen

termine-archiv

John Latham - INTO THE NOIT


06.06.10-12.07.10

castillo/corrales Paris
65, Rue Rébeval
F-75019 Paris
Frankreich
fon +33 (0)1 771 368 71
castillocorrales@gmail.com
homepage


John Latham
INTO THE NOIT


Pressetext:

1. The site as part of the event.
2. The history contained in the Towers as part of the event.
3. The public reaction in response to the ceremony.
(extract from John Latham, Least Event, 1970. Lisson Publications p. 19)

While our last exhibition has been our largest group show ever, the new exhibition at castillo/corrales focuses entirely on a single work -- John Latham’s Skoob Tower.

A complex and controversial—visionary for some, eccentric for others—figure of British conceptual art, John Latham (1921-2006) rarely exhibited his work in France; if we are not mistaken, it has not been shown around here since 1996 and the exhibition “Life/Live” at the Musée d’Art moderne de la Ville de Paris.

A totem, a monument, the Skoob Tower is first and foremost a relic, one in a series of sculptures Latham constructed to be burned during public ‘ceremonies’ starting in 1964. A metal armature stacked with printed matter, in this case copies of The Economist, the Skoob (spell it backwards) Towers bring to mind Autodafes, the destruction of knowledge, but Latham conferred on them a different, equally iconoclastic, dimension in relation to his Time-Base theory.

Latham’s paradoxical use of books and printed material, destructive but highly ritualized, points to his distrust toward the effectiveness of verbal communication. This is probably why his statements and titles for his works were often generated through word associations, one slipping into another, reversed or dismembered, acknowledging the influence of Joyce’s Finnegans Wake as an infinite wandering through language.

The exhibition “Into the Noit” at castillo/corrales includes a selection of archival documents, from Latham’s own archive, related to the Skoob Towers Ceremonies; it will also host, on the day of the opening, a session of the Noit School—a research group dedicated to the study of Latham’s theoretical and plastic work—in presence of the artist’son Noa Latham. ‘Noit’ stands for the reversal of ‘Tion’, a suffix generally converting actions into abstractions, or the reduction of “no it”, or “no thing”.

The Noit School session will take place on Saturday the 5th of June, at 3 PM. It will be documented on video and subsequently added to the show.

This exhibition is a joint initiative of castillo/corrales, Antony Hudek and Elisa Kay. Supported by Flat Time Ho / John Latham Foundation, Ligatus, University of the Arts London and Lisson Gallery, London.