artists & participants
S1 Artspace and Site Gallery are delighted to announce they will be presenting Bloomberg New Contemporaries 2011. Opening on 23 September, and featuring the work of 40 artists across a range of mediums, this exhibition provides a unique opportunity to engage with new practice, ideas and forms.
Established in 1949, New Contemporaries is an important and highly regarded annual initiative that gives art students and recent graduates essential support and recognition at a crucial stage in their development through a high-profile exhibition.
One of only two open exhibitions in the UK, participants are selected by a panel comprising influential art figures including curators, writers and artists often who have themselves previously been a part of New Contemporaries, and a rigorous process that considers the work within a broad cultural context. The selectors for 2011 are Pablo Bronstein, Sarah Jones and Michael Raedecker.
While in its history New Contemporaries has travelled the length and breadth of the country, it hasn't been in Sheffield since 1993. Now, in a particularly vibrant and active time in the city's history, it is the perfect host for this show of radical, bold and experimental artforms.
Louise Hutchinson, Artistic Director of S1 said: "We're delighted to be hosting Bloomberg New Contemporaries this September in collaboration with Site Gallery, it's very exciting that the exhibition is returning to Sheffield after almost 20 years. Having the opportunity to host such a significant exhibition for emerging artists in S1's newly opened studios and gallery space is fantastic."
Laura Sillars, Director of Site Gallery said: "For over six decades, New Contemporaries has provided the starting blocks for artists in the UK. At this point in time as art schools and artists are under increasing pressure, we are delighted to be part of the creative team bringing this important show to Sheffield."
Rebecca Heald, Director of Bloomberg New Contemporaries said: "Bloomberg New Contemporaries is committed to showing the very best work from emerging artists' studios across the country. We are thrilled to be back in Sheffield after such a long break.
About New Contemporaries
Bloomberg New Contemporaries gives people still at, or just after, art school the opportunity to show their work in the context of a professional art gallery. It is important in that it takes the work out of the educational context and into the real.
The relationship between education and art is known, respected, but strangely not recognised enough. As an organisation, Bloomberg New Contemporaries is totally independent of the art school as it allows applicants a democratic chance for the work itself to shine through. Reputations that might otherwise become set within the art school system are able to break out. The annual exhibition is selected in two stages. The first stage is virtual, with selections made from jpegs, DVDs, and written proposals. At the second stage actual physical works are considered and used to make the final selections.
The importance of testing, looking, judging without knowledge of school or age, works both ways. The Selection of selector is, therefore, key. As a principle it is important to convey a very basic sense of possibility to every art-school student or recent graduate considering applying. The selection is made by artists and writers and often a selector will have also been in Bloomberg New Contemporaries a number of years before. The intense and detailed selection process provides the selector the opportunity to consider art in a broad context, in a visual and aural sea far removed from their individual career.
Although there is no limit put on the number of artists to be shown each year, the number chosen from out of over 1,400 applicants has averaged almost uncannily, at around 35. Independent of place, Bloomberg New Contemporaries is an annual exhibition without a building, and has had beneficial relationships with many important galleries. The exhibition travels and this movement, which is an integral part of the structure, means a different relationship to audience and place. The exhibition provides galleries, such as Cornerhouse, Walsall or the ICA, a ready-made exhibition of the very newest and best contemporary art.