press release

This exhibition focuses on three of Sally Mann’s art projects, starting with her breakthrough as an artist, the photographic suite “Immediate Family” (1992), in which she portrays her children in an intimate and naked manner. Next are her mythical landscapes, “Deep South” from 1997, and the exhibition ends with her controversial portraits of her now grown-up children, in the project “What Remains”, from 2003.

The exhibition is produced by Kulturhuset Stockholm

only in german

Sally Mann
Photography