artists & participants
1 March - 3 April 2022
The group exhibition will showcase photographic works from across the African continent. Over 40 photographers are participating in the exhibition which is to be presented online on a viewing room from the 1st of March until the 3rd of April 2022.
This exhibition follows on from the well-received inaugural PLP auction last year. The exhibition brings together an exciting diversity of subject matter ranging from social and physical landscapes to the private interiors, from gender-based issues to surfing culture. The exhibition reflects the ingenuity and commitment of African photographers who continue to practice their craft despite extreme challenges.
Award-winning Zimbabwean, Tamary Kudita’s project, African Victorian that won the Open Photographer of the Year, at the 2021 Sony World Photography Awards is featured. Her work explores and disrupts stereotypical representations of African identity. “Subversion is implicit in my elected mode of practice and my choice of representation demonstrates a subject position congruent with that of Santu Mofokeng, who seeks to tell a transparent narrative about black lives by constantly unsettling the comfort zones of racial and cultural memory,” she told Contemporary&.
It’s self-evident and well documented that photography in Africa has had a troubled past. It fluctuated as the late Okwui Enwezor has pointed out between ‘Afropessisim’ to ‘Afroromanticism,’ both intrinsically related, and flip sides of the same coin. The tropes of Africa as a warzone, famine ridden, breadbasket or a place where ‘natives’ continue to practice age-old traditions, devoid of any social or political context as if time has stood still, have been well and truly disavowed. Since the 1990s and the exposure of African photography to an international audience through several seminal exhibitions and publications, a flood of imagery has found its way to countless international (and some African) biennales, galleries and museums. What exactly is ‘African photography’, remains an elusive, multifaceted and engaging meditation.
The enduring concept suggested by Sabrina Zanier that African photography is a laboratory of collective consciousness remains appealing. Added to this, author Ekow Eshun in his recent book, Africa State of Mind: Contemporary Photography Reimagines a Continent (2020), observes a new movement while speaking back to their colonial past, “…African photographers claim the creative freedom to look inwards.”
One of the highlights represented is the creative response of photographers to the COVID-19 pandemic. The inventive portraits and theatrical performative imagery of Raissa Karama Rwizibuka are tempered by Lindokuhle Sobokwe and Marc Shoul’s social documentary interventions.
A large group of emerging photographers share their photographic endeavours. Self-reflexive imagery on Youth culture range from the documentary works of Nigeria’s Etinosa Yvonne and Algeria’s Abdo Shanan.
Gordwin Odhiambo is a photographer born and raised in Nairobi. His photography critically explores the lives of young people and how they navigate the realities around them in one of Africas’ biggest cities. His work nuances reductive stereotypes, offering alternative images from Kenya’s urban slum communities.
An older generation of established names like Alf Kumalo, Michael Meyersfeld, David Lurie, legendary Drum photographers like Bob Gosani and a host of award-winning photographers rub shoulders with the past. A rare collection of endangered and disappearing South African vernacular photography is also represented by studio portraitists Ronald Ngilima and William Matlala. While this genre from West Africa has been widely seen in recent times, less exposure has been given to the South African version and its contribution to this part of the world visual heritage.
Sales of images will go towards supporting the PLP whose mission is to digitise endangered and significant collections across the continent. Last year through sales, the PLP was able to digitise a new group of photographers from South Africa, Sudan and Kenya, some of whom are represented in the exhibition. The archive of Ralph Ndawo, a peer of Peter Magubane and Alf Kumalo who worked for Drum and the Rand Daily Mail has been kept by his daughter Rachel for decades since his untimely death in 1980. It is now digitised and available for the world to see. Henion Han, a Chinese born South African who documented the Chinese community, as well work from the archive of Lindeka Qampi are in the auction. The efforts of photographers and the archives represented underlie the vision and spirit of the PLP to continue the digital preservation of photographic heritage much of which is perilously endangered so that African photographic collections and archives may remain on the continent, be accessible and researchable for future generations. The virtual exhibition links the archive with contemporary practice and cumulatively it is a celebration of the continent’s creative imagery.
Abdo Shanan (Algeria 1982-), Alan Van Gysen (South Africa 1982-), Alf Kumalo (South Africa 1930-2012), Chris Dennis Rosenberg (Uganda 1997-), Clint Strydom (South Africa 1973-), David Lurie (South Africa 1951-), Daylin Paul (South Africa 1985-), Ernest Cole (South Africa 1940-1990), Etinosa Yvonne (Nigeria 1989-), Eyoeal Kefyalew (Ethiopia 1994-), Fatoumata Diabaté (Mali 1980-), Fethi Sahraoui (Algeria 1993-), Gordwin Odhiambo (Kenya 1993-), Graeme Williams (South Africa 1961-), Greg Marinovich (South Africa 1962-), Henion Han (South African 1952 - 2018), Ilan Godfrey (South Africa 1962-), Imane Djamil (Morocco 1996-), Jean Brundrit (South Africa 1966-), Jillian Edelstein (South Africa 1957-), Lee-Ann Olwage (South Africa 1986-), Lindeka Qampi (Botswana 1969-), Mandisa Buthelezi (South Africa 1991-), Marc Shoul (South Africa 1975-), Matthew Kay (South Africa 1985-), Micha Serraf (Zimbabwe 1994-), Michael Meyersfeld (South Africa 1940-), Michelle Loukidis (South Africa 1969-), Misper Apawu (Ghana 1994-), Nobukho Nqaba (South Africa 1992-), Nuits Balnéaires (Côte d'Ivoire 1994-), Nyancho NwaNri (Nigeria 1988-), Paul Weinberg (South Africa 1956-), Pippa Hetherington (South Africa 1971-), Raïssa Karama Rwizibuka (Democratic Republic of the Congo 1997-), Ralph Ndawo (South African 1932-1980), Ronald Ngilima (South African 1914-1960), Ruth Seopedi Motau (South Africa 1968-), T. J. Lemon (South Africa 1959-), Tamary Kudita (Zimbabwe 1994-), William Matlala (South Africa 1957-)