press release

We decided to look into our past and look at other radical, interesting, avant-garde spaces and endeavours in London in the last 50 years or so. What we found was fascinating and inspiring and what amounts to a secret history of the London Art world.

Our exercise in Ancestor Worship is aimed at drawing attention to these virtually undocumented endeavours and at creating a total art work using these art interfaces/spaces as the material.

We have focused on the entities that share with us a curatorial quality and come some way as exemplifying the gallery as producer, the space as the author, which is to say that the space can be the artist. And like the artist it manifests its own tropes, its own sensibilities and styles, and its own identity and life.

While very different, these spaces share a few characteristics. Against the prevailing orthodoxies of their time either in subject, form, content or materials, they all existed in an underground relation to the cultural mainstream. As pioneers looking for a greater freedom, many were vociferous in their criticism of the art worlds they were finding themselves in.

Powered by Idealistic impulses transformed into pragmatic forces, they set to present work outside the established structures and create vital nexus with new peer groups.

And yet it would seem that they all failed, in that they no longer exist. But to us, they are an Injunction to FAIL AGAIN. FAIL BETTER.

the Centre of Attention, August 2006

Archive show of temporary galleries from the 50's through the 90's including:

New Vision Centre Signals The Gallery 2B Butler's Wharf B2 Network 21 TV Women's Art Magazine Bank and more...

Pressetext

fast and loose (my dead gallery)
kuratiert von the centre of attention (Pierre Coinde and Gary O´Dwyer)
London 1956-2006