press release

Vancouver Art Gallery Offsite

Vancouver Art Gallery's latest public art project at Offsite with Marina Roy's large-scale installation Your Kingdom to Command, is now on view. Consisting of a 25-metre plywood mural and a stump sculpture made with a tree salvaged after the 2015 windstorm in the Lower Mainland, this newly commissioned artwork speaks to transformation in nature, largely due to human intervention.

Roy's enormous plywood mural utilizes bitumen and tar, a black molasses-like substance found in sedimentary rock that is commonly extracted and refined into fuel. In addition to bitumen, she uses colourful latex paints made of synthetic resins as well as shellac, a balm secreted by the female lac bug, which is processed and dissolved in ethanol to make liquid colourant. In Roy's mural, the creature-like forms float as if in a landscape alongside an asphalt pyramid—the pyramid being a reference to the commonly held belief that humans are the planet's dominating species, entitled to reign over the animal and plant kingdoms. The pyramidal form could also be read as a road receding into the horizon.

Examining the destructive effects an excessive use of fossil fuels has caused on the natural world, this installation comments on human reliance on the earth's resources to the point of endangering biodiversity.

About the artist
Marina Roy is a visual artist, educator and writer based in Vancouver. Her practice crosses disciplines with a focus on drawing, painting and animation. Her work investigates material intelligence in a post-humanist perspective. The evolution of her practice draws upon Sigmund Freud and Georges Bataille, demonstrating modes of fantasy, eroticism, and compulsion by way of changed symbols and recognized icons. Born in Quebec, Roy moved to Vancouver in her youth and obtained a BA in French Literature at University Laval, a BFA from the Nova Scotia College of Art and Design, and an MFA from the University of British Columbia. She has shown nationally and internationally. She is an Associate Professor at the University of British Columbia, Department of Art History, Visual Art and Theory.