ZVI GOLDSTEIN - Winds from Jericho

ZVI GOLDSTEIN
Winds from Jericho
May 15 – August 29, 2021

The exhibition Winds from Jericho marks the introduction of Zvi Goldstein’s unique oevre in Sweden, featuring works from the last three decades. Goldstein’s artistic practice shifted focus from the centre of Western culture to its periphery already in the late 1970:s, long before postcolonialism and discussions about centre and periphery became pivotal topics in the international art world.

Zvi Goldstein (b. 1947 in Romania) has lived in Jerusalem since the late 1970s and considers this to be his artistic and intellectual home. His art is rooted in both Western contexts and premodern traditions that he has become acquainted with through his artistic practice which includes extensive travels. Through his personal way of exploring a larger world, Goldstein places contemporary art in a broader context and invites us to a more inclusive and global view of ourselves and of the world around us.

- Zvi Goldstein’s work offer a new aesthetic in the still dominant Western centred contemporary art world and advocates inclusivity and cross-fertilisation, says Iris Müller-Westermann. We are all forced to reinvent ourselves time and again throughout life. An open mind and solidarity with our fellow humans is necessary in order to succeed. In these challenging times, I am very happy to be able to introduce to our audiences an artist whose work is centred around a non-judgmental attitude towards the other. The winds Goldstein is referring to in his art become metaphors for a free movement over country borders which, not least in Africa and the Middle East, were drawn by colonial powers and resulted in wars and still ongoing conflicts.

The exhibition’s title refers to the warm winds that originate in the Sahara – winds that have guided Goldstein on his travels and have for centuries impacted people in northern Africa and the Mediterranean region. Situated in the Jordan Valley, east of Jerusalem, Jericho is one of the world’s oldest settlements. The city was visible from the window of the artist’s studio and represented to him a still unknown world.

Winds from Jericho is supported by Artis