press release

Some of Emory Douglas’s images are nearly forty years old, but they are still as powerful as when Douglas first created them. They are dangerous pictures, and they were meant to change the world.

Emory Douglas was the Revolutionary Artist of the Black Panther Party and subsequently became its Minister of Culture, part of the national leadership. He created the overall design of the Black Panther, the Party’s weekly newspaper, and oversaw its layout and production until the Black Panthers disbanded in 1979–80. Throughout the ’60s and ’70s, Douglas made countless artworks, illustrations, and cartoons, which were reproduced in the paper and distributed as prints, posters, cards, and even sculptures. All of them utilized a straightforward graphic style and a vocabulary of images that would become synonymous with the Party and the issues it fought for.

“Emory Douglas: Black Panther” includes a wide variety of Douglas’s work done while a member of the Black Panther Party. Curated by the Los Angeles artist Sam Durant, whose work often deals with political and cultural subjects in American history, the show includes approximately 165 posters, newspapers, and prints dating from 1967–76. Durant met Emory Douglas in 2002 and began working on a book of Douglas’s work, which resulted in a monograph published in 2007. Two years later Durant curated “Black Panther: The Revolutionary Art of Emory Douglas” at the Museum of Contemporary Art in Los Angeles, which serves as a model for the exhibition at the New Museum.

The presentation of “Emory Douglas: Black Panther” at the New Museum is organized by Laura Hoptman, Kraus Family Senior Curator, with Amy Mackie, Curatorial Assistant.

Emory Douglas: Black Panther
An Exhibition Curated by Sam Durant for the New Museum
Organisation: Laura Hoptman, Amy Mackie