artists & participants
'Evidential images of the world throw off your chains and dance!' David Levi Strauss
In 1977, photographers Larry Sultan (USA) and Mike Mandel (USA) published a book of photographs entitled Evidence. Accompanied by an exhibition in the same year at the San Francisco Museum of Modern Art, this project was the culmination of a three-year search through the files and archives of over one hundred American government agencies, educational institutions, and corporations, such as the Bechtel Corporation, General Atomic Company, Jet Propulsion Laboratories, the San Jose Police Department and the United States Department of the Interior.
The original pictures Sultan and Mandel collected were made as documents and objective records of activities and situations: the scenes of crimes, aeronautical engineering tests, industrial experiments, among other subjects. Sifting through some two million images, Mandel and Sultan assembled a careful sequence of 59 pictures.
Evidence is, as the artists stated back in the 1970s, 'a poetic exploration upon the restructuring of imagery.' Pictures that once served a functional purpose in the world are, in this exhibition, stripped of their explanatory captions and institutional contexts, carefully sequenced, and presented as expressive artefacts. In this new setting, the images testify to cryptic and dubious rituals, to a culture of dehumanising, ambiguous institutional values, to mid-century industry regarded as a religion.
Although the exhibition carefully articulates the reading of the photographs in terms of their 'documentary' origins, the photographs are reproduced without captions identifying specific images or their sources. The photographs here serve as answers to questions long ago abandoned. Faced with a world of mysterious events and unfathomable activities, we are provided with only the sequential narrative of the book and are actively required to participate in creating its meaning.
Evidence Revisited re-examines, almost 30 years later, this chapter in the history of the original debate on the aesthetics of the documentary photograph. The exhibition aims to reconsider the relevance of found photography in gallery practice today. The exhibition will consist of 79 prints supplemented with first-edition copies of Sultan and Mandel’s book, examples of their other artistic collaborations, facsimiles of their correspondences with archives personnel, and items related to the history of the original exhibition.
Evidence Revisited is organised by the Center for Creative Photography, University of Arizona, USA
Evidence Revisited is supported by the Embassy of the United States - London
With in-kind support from: British American Business Inc Great Eastern Hotel
only in german
Larry Sultan & Mike Mandel: Evidence Revisited