artists & participants
Morality Act IV "I Could Live in Africa"
It is the first exhibition of Morality that looks at the past and highlights the attitude of artists, choosing to be active as groups rather than individuals, with the aim of resisting an hermetic, authoritarian social and political system. The exhibition presents a variety of practices emblematic of a hidden movement that was driven by the need to open a different space from the moral and aesthetic cultural standards prevailing in Poland under and after martial law (December 13, 1981 to July 22, 1983).
Borrowing its title from Dutch filmmaker Jacques de Koning's documentary on the Polish post-punk and reggae band Izrael, I Could Live in Africa explores the mood shared by the "new wild" artists and the music subcultures (punk, new wave, reggae) in 1980s communist Poland. Determined by a gloomy political and economic context, this mood translated into an eruption of subcultures that managed to circumvent both the limited means of production and the monopoly the ruling regime over publishing and recording. These subcultures thrived against a background of police brutality, closed borders, empty shops, and frequent power shortages. Their aesthetic weapons included anti-regime stencils and graffiti, safety pins, wildly expressive and primitive forms, assemblages of waste and detritus, collages, concerts that turned into ecstatic group rituals, opening receptions that morphed into improvised happenings, and zines. Though the times were hardly "funny", these cultural manifestations were infused with humour, openly sneering at the system and contemptuous of totalitarian propaganda, the lack of democracy, the naivety of mass media, the Church, and cultural hypocrisy in general.
While the punk movement of the West was brandishing it?s slogan, no future, the Polish punk artists were deeply invested in a better future. Far from consuming a trend or criticizing from the premises of capitalism, these artists created not only a resistance to what existed but room to exist differently. Inspired by the Rasta philosophy, which pronounced the fall of Babylon, what drove these artists above all was an impulsive energy and a hunger for freedom.
Featured artists: Miroslaw Balka, Krzysztof Bednarski, Miroslaw Filonik, Wiktor Gutt & Waldemar Raniszewski, Jacques de Koning, Zbigniew Libera, Luxus, Wlodzimierz Pawlak, Jozef Robakowski, Darek Skubiel & Zdzislaw Zinczuk, Marek Sobczyk, Jerzy Truszkowski and many more, represented through archival matter.
Curated by Michal Wolinski in collaboration with Nicolaus Schafhausen and Anne-Claire Schmitz.
With thanks to Ursula Blickle Stiftung.
only in german
Morality Act IV
"I Could Live in Africa"
20.02.10 - 25.04.10
Kuratoren: Michal Wolinski, Nicolaus Schafhausen, Anne-Claire Schmitz
Künstler: Miroslaw Balka, Krzysztof Bednarski, Miroslaw Filonik, Wiktor Gutt & Waldemar Raniszewski, Jacques de Koning, Zbigniew Libera, Luxus , Wlodzimierz Pawlak, Jozef Robakowski, Darek Skubiel & Zdzislaw Zinczuk, Marek Sobczyk, Jerzy Truszkowski ...
Morality Act V
Künstler: Adel Abidin, Ziad Antar, Mark Boulos, Piero Golia, Jaebum Kim, Miki Kratsman, Erik van Lieshout, Goshka Macuga, Randa Mirza, Willem de Rooij (de Rijke / de Rooij), Canan Senol, Andreas Slominski, Corin Sworn, Ron Terada, Luc Tuymans.